Sensory Perception is a sci-fi, feature length drama about Jeremy Jacobs, a "recovering" drug addict struggling to get his life back together. Things get even harder for him when he begins to have visions of an apocalyptic future. Stalked by strange messages and shadowy figures, he is persuaded that there's a way to avert this future disaster. Although, fighting through addiction, paranoia, and skepticism, he finds it difficult to convince anyone, even himself, that we can change.

MUSICAL/DRAMADY about Reggie, conceived while his parents consumed genetically modified food, it gave him almost supernatural powers, but not quite, everything was fine until Tanisha showed up and the two of them hit it off. Sensory Deprivation taps into weird phenomenon that everybody experiences and can't explain. Set in modern day South Jamaica Queens Sensory Deprivation is about trust and being outrageous.

When Jen Marshall, an LA girl with a reckless personality and a laundry list of burned bridges, returns to New York and unexpected tragedy strikes, it is up to her mistreated friends to decide between helping her through this tough time or abandoning her - like she did them.

Exploring random things you see and use in everyday life. often debunking myths, satisfying curiosities and exposing just how things work that are difficult to see or replicate for most of us.

An early experiment in employing computers to animate film. The result is a dazzling vibration of geometric forms in vivid color, an effect achieved by varying the speed at which alternate colors change, so producing optical illusions. In between these screen pyrotechnics appears a simple line form gyrating in smooth rhythm. Sound effects are created by registering sound shapes directly on the soundtrack of the film.

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Mob Boss Nicola Santini, is forced to undergo a psychiatric evaluation to determine his ability to stand trial.

There is little dialogue in Weston Currie's first feature-length film, The Perception of Moving Targets-a segmenting ogling gaze into four neighboring homes-and for good reason. The film's elemental shots do not ruminate upon their subject matter, they don't attempt to code or decode their objects, nor do they harry the realm of depictions. Rather, they plunge from the depths of psychosis for the purpose of jarringly alerting us to our own fragile loneliness. It is a psychosis that erupts from terror, the terror that occurs in those harrowing instances when we find our private subconscious bleeding into the material of the day-to-day, the real. The characters steamroll through effable routine towards a state that cannot be articulated, cannot be contextualized, but are alternately frozen in or revitalized from sensory paralysis. The visions, which are accompanied (and inspired) by the songs of Grouper, coerce the viewer to enjoy Sublime experience: to plunge into a porous space where ...

After a performance, a girl gets behind the scenes and sees without masks all those whom she so feared, loved and hated.